Saturday, June 1, 2019

Use of Attics in Literature Essay -- Attic Upper Room

The Phenomenology of Space--Attic Memories and Secrets Since Gilbert and Gubars The Madwoman in the Attic, critics have assumed that attics house frenziedwomen. But they use that concept as a metaphor for their thesis, that women writers were isolated and treated with approbation. In most literature, attics argon dark, dusty, seldom-visited stor grow areas, like that of the Tulliver house in The Mill on the Floss--a great attic below the old high-pitched roof, with worm-eaten floors, worm-eaten shelves, and dark rafters festooned with cobwebs--a place thought to be weird and ghostly. Attics do not house humans (not even mad ones) they warehouse artifacts that carry personal and familial history--often a history that has been suppressed. And that history is what makes attics interesting.-------- WashingtonContractors installing ductwork in an attic found a suitcase containing the material body of a baby who apparently died more than 20 years ago. The police spokesman said the blue suitcase appeared to be more than 30 years old. The material body which was wrapped in cloth, appears to have been there quite a long time, in excess of 20 years, Eaves said. Police estimated that the baby was 1 or 2 months old at death. The house was built in 1928 and was occupied by the same family until the mid-1990s. The last of four elderly sisters who lived there died in 1995 at the age of 102, and the house was sold five years ago Houston Chronicle, Wednesday, February 17, 2001In Suzanne Bernes A Perfect Arrangement (Chapel Hill Algonquin Press, 2001), a pragmatic architect says Attics are wasted space, but the family maid, with far more insight into human beings, responds, as I would Not psychologicall... ... Random House, 1936. Go Down, Moses.George, Elizabeth. In Pursuit of a meet Sinner. New York Bamtam, 1999.Gilbert, Sandra M., and Susan Gubar. The Madwoman in the Attic The Woman Writer and the Nineteenth-Century Literary Imagination. New Haven Yale UP , 1979.Kesey, Ken. Sometimes a Great Notion. New York Viking, 1964.Porter, Katherine Anne. The self-collected Stories of Kathering Anne Porter. New York Harcourt, Brace, Jovanovich, l979.Shelley, Mary.Frankenstein. Ed. Marilyn Buller.London William Pickering, 1993.Singer, Isaac Bashevis. The Collected Stories of Isaac Bashevis Singer. New York Farrar, Straus, Giroux, 1982.Stowe, Harriet Beecher. Uncle Toms Cabin. Ed. Philip van Doren Stern. New York Paul S. Eriksson, 1964.Wilde, Oscar. The Picture of Dorian Gray For Love of the King. London Routledge/Thoemmes Press, 1993.

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